The Mongrel Muse: Chung Mong-hong: The Antics of a Graphic Sensibility

Sunday, August 14, 2016

Chung Mong-hong: The Antics of a Graphic Sensibility

Soul (Chung Mong-hong, 2013)

For The Chiseler, I examine a handful of films made by Chung Mong-hong, a rising Taiwanese filmmaker on the festival circuit. Coincidentally, his latest film, Godspeed (2016) is set to make its world premiere at the Toronto International Film Festival in a few weeks.

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Welcome to The Mongrel Muse. Here you’ll find commentary, criticism, musings, ephemera, and more on all things cinema by Tanner Tafelski.

I'm a Hoosier living in New York City. I freelance as a film critic. I've written for Brooklyn Magazine, Fandor, Film Comment, Hyperallergic, and MUBI Notebook.

Some of my areas of expertise when it comes to cinema include: arthouse, avant-garde, extreme cinema, horror, micro-budget films, and underground movies.

I'm always looking for gigs. You can reach me via e-mail (ttafelski14@gmail.com). If you wish to follow me on Twitter, here’s my handle: @TTafelski. I'd love to hear from you.